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Posted by admin on January 27, 2012 at 1:12 pm | Last modified: January 27, 2012 1:12 pm
Editor’s note: This guest post was written by Dave Chase, the CEO of Avado.com, a patient portal & relationship management company that was a TechCrunch Disrupt finalist. Previously he was a management consultant for Accenture’s healthcare practice and founder of Microsoft’s Health platform business. You can follow him on Twitter@chasedave.
Entrepreneurial epiphanies surface in random places. For Eric Page, it was watching Brad Pitt’s latest movie, Moneyball. The epiphany caused him to shift Amplify Health’s business model from a provider of technology to a heavy user of technology. While there is a wave of disruptive technology in healthtech, as interesting is the wave of disruptive innovation on the care delivery side of healthcare. These companies aren’t technology companies, however technology plays a pivotal role.
Previously, Page had been the Founder & President of REM Medical, a clinic for sufferers of sleep apnea. A key part of any sleep clinic’s service is prescribing CPAP machines. The problem is that the percentage of people who actually follow-through is quite low (40%) even though the results can dramatically improve one’s life. A series of behavioral insights, often applied through the use of technology allowed REM Medical to double the industry average adherence to 79%. As healthcare shifts from a “do more, bill more” model of reimbursement to a value and outcomes-based model, these kinds of results will separate the winners from the losers. Amplify Health’s original vision was to package the behavioral insights in software and sell them to providers.
With the success of his previous company, Page thought it would be easy to sell this vision to healthcare providers. Unfortunately, many healthcare providers are making the same mistakes that newspaper companies made in the late 90’s. That is, they aren’t moving as quickly as circumstances dictate. The problem is that urgency is sometimes only evident in hindsight. This is what led to the Moneyball epiphany.
For those who haven’t seen the movie or read the book, Moneyball tells the story of how Major League Baseball’s Oakland A’s Billy Beane (the team’s General Manager) was faced with a payroll that was one-third the size of their competition. Beane realized he needed to come up with a different way of picking players or he’d lose bidding wars against richer teams. For over 20 years, baseball statistician Bill James had proffered theories of baseball statistics that flew in the face of conventional wisdom on what statistics best represented a player’s value to a team. James was ignored until Billy Beane came along. He applied James’ theories with great success regularly fielding playoff teams that had one-third to one-half the payroll of the teams they competed against.
While watching Moneyball, Page had the realization that he had been acting like Bill James evangelizing his theories. Even with a successful track record, he wasn’t getting the traction he desired. Instead, he decided he should become Billy Beane and apply his knowledge to his own company. Rather than monetize via a software licensing model, Amplify Health will be in the onsite clinic segment delivering primary care and managing chronic conditions. [See DIY Health Reform: Employers Solving Healthcare Crisis One Onsite Clinic At A Time for more on onsite clinics.]
Amplify Health isn’t alone in this trend. Other examples include MedLion, One Medical Group, Qliance and White Glove Health [Disclosure: MedLion is a customer of Avado's]. These are healthcare providers who’ve applied technology to enhance their competitive advantage. Traditional healthcare providers should be on notice about these types of disruptive innovators. After all, in the late 90’s the newspaper companies were worried about other media competitors and big players such as Microsoft. What devastated their business models was an array of niche competitors who bit by bit hollowed out chunks of their business. Companies such as Monster.com, eBay, Cars.com, Zillow, Craigslist and many others. Like newspapers that were oligopolies or monopolies, many large health systems haven’t been faced with the level of competition that is emerging. As William Gibson has stated, “the future is here, it’s just unevenly distributed.”
By definition, the legacy HealthIT vendors have optimized their solutions around the legacy reimbursement and delivery models that have created the hyperinflation in healthcare crushing family, business and government budgets. The exciting aspect of this for the healthtech startup community is entire new categories of software are emerging to support disruptive innovation taking place on the care delivery side. Even more promising is that many providers, payers and pharmaceutical companies have set up innovation groups. I wrote about one earlier — Healthcare Field of Dreams In Idaho: Health System Opens Innovation Center. An array of new models are being tested at organizations such as Horizon Health Innovations, Catholic Health West, Trinity Health, Catholic Health Initiatives, Blue Cross Blue Shield of Florida, Catholic Health Partners, Blue Shield of California and many others.
Often what has passed for innovation in healthcare is a clever way to maximize the latest reimbursement code or government incentive. For example, a large swath of providers are chasing after Meaningful Use incentives. Meanwhile, there are others building a sustainable competitive advantage in rethinking delivery models from the ground up. Not long ago, CareMore was acquired for $800 Million by WellPoint because they’d developed a creative new delivery model. VCs are taking notice. For example, Dirk Lammerts, MD is a VC with the Burrill Venture Capital Group who has stated he will avoid investing in businesses dependent on Medicare reimbursement. Rather, he wants true disruptive innovation.
Taking place this week is the Health Innovation Summit being put on by RockHealth. I’m moderating a panel on business models for health-related startups – panel members include Linda Avey, Ron Gutman and Jennifer Wong. I will speak to some of the aforementioned business models and the accompanying business models for companies that support those entities. Collectively, we’ll discuss models ranging from monetizing mobile apps to how value can be derived as a byproduct of customer use (e.g., PracticeFusion) to media models and more. What creative business models in healthcare should we be aware of? Please add your comments below.
* Q4 EPS 73 cents per share vs. 61 cents a year earlier
* Bank set aside less money for bad loans
Jan 17 (Reuters) – Wells Fargo & Co reported higher fourth-quarter earnings as the bank set aside less money to cover bad loans.
The fourth-largest U.S. bank by assets said net income applicable to common shareholders was $3.89 billion, or 73 cents per share, compared to $3.2 billion, or 61 cents per share, a year earlier. (Reporting By Rick Rothacker in Charlotte, North Carolina, editing by Dave Zimmerman)
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Posted by admin on January 13, 2012 at 1:44 pm | Last modified: January 13, 2012 1:44 pm
This sponsored post is produced by Vator.tv.
If you want to mingle with top venture capitalists and angels, who are funding the next wave of innovative powerhouses, join in for Splash SF at Cafe du Nord on the evening of February 2, 2012. Ten early-stage startups, who’ve been selected by their peers, will share the stage with rockstar CEOs as they give their secrets to success to a crowd of 400 startup CEOs, investors, service providers and bloggers.
Splash is an event that brings together blue-chip high-tech startup investors, who give you insights into how they think when it comes to investments. They’ll also talk about their investment philosophies in light of the new and abundant sources of early-stage capital. If you want to be recognized as one of the 10 up-and-coming startups to present before these investors and an audience of some 400 attendees, be sure to join the competition. Applications are open now!
Get your 15% discount on tickets by using the promo code “VB15” here.
So far, the judge list includes:
Frank Artale (Ignition Partners), Mike Brown (Twitter), Duncan Davidson (Bullpen Capital), Darcy Frisch (Hearst Interactive Media), Robert Goldberg, Mike Hirshland (Resolute VC), David Hornik (August Capital), Raj Kapoor (Mayfield Fund), Jed Katz (Javelin Venture Partners), Saad Khan (CMEA), Howard Lindzon (prolific angel investor and founder of StockTwits), Xander Mahoney (DFJ), Shayna Modarrasi (Venture Pipeline Group), Charles Moldow (Foundation Capital), Freeman Murray (Angel investor), Craig Sherman (Meritech Capital), Josh Stein (Draper Fisher Jurvetson), Craig Stern (Nextag), Sharon Wienbar (Scale Venture Partners) and Tim Chang (Mayfield Fund). David Hornik (August Capital) will be back for another segment of “Late Night with David Hornik.” One of our keynote speakers will be Aaron Levie, founder and CEO of Box.net. And, as usual, there will be an afterparty with the band – Coverflow, with Raj Kapoor (Mayfiled), Tim Chang (Mayfield), Phil Kaplan (ADHD Labs), Prashant Fulorioa (Facebook), Ethan Beard (Facebook), and our musician timekeeper - The Mule from Smule
www.cnbc.com:
Since the downturn in 2008, many Americans have been forced to rethink their careers. Some have gone back to school to freshen up their skills, or learn new ones, and a lot of that training is taking place online. Elearners.com is a site that connects prospective students with online college courses and certification programs.
So what do Americans want to be certified in?
Wedding planning and gunsmithing.
Read the whole story: www.cnbc.com
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Tags: internet, net | Categories: Uncategorized | Comments (0) | PermalinkThe text kia
Posted by admin on January 6, 2012 at 11:10 pm | Last modified: January 6, 2012 11:10 pm
In what Kia claims is a worldwide first for an EV manufacturer, the Ray EV’s sharing of dimensions with the Ray CUV allows it to share a production line with conventional combustion engine vehicles. Although the front-wheel drive Ray EV is some 187 kg (412 lb) heavier than its gas-powered cousin, the Ray EV boasts faster acceleration (0 – 100 km/h/62 mph in 15.9 seconds) thanks to 77 percent greater torque (167 Nm). Kia says the vehicle has a top speed of 130 km/h (81 mph).
Kia says the Ray EV can be recharged in six hours from a 220 V household outlet or in just 25 minutes in fast-charge mode. The inlet for the 220 V supply is located under a flap in the front grille, while the fast-charge inlet can be found where the fuel intake is usually located on regular models. The 330 V lithium ion polymer battery pack is located under the rear seat and cabin floor.
The Ray EV has been fitted with a new type of regenerative braking system featuring an “Active Hydraulic Booster” that uses the electric motor to create hydraulic pressure for the brake system. Kia says in addition to harvesting excess braking energy to recharge the vehicle’s battery, it also provides consistent brake pedal force under a wide variety of driving conditions.
Like audio alert systems already available in a number of hybrid vehicles from manufacturers such as Toyota and Nissan, the Ray EV is fitted with a Virtual Engine Sound System (VESS) that emits a mixture of recorded gasoline engine noises when the car is traveling at speeds below 20 km/h (12 mph), or when reversing.
The instrument cluster displays electric motor operation, battery status and the distance before a recharge is required. An EV-specific navigation system features a 7-inch display that provides information such as the location of the nearest recharging stations – of which there are 500 in Korea with plans from the government to increase that number to 3,100 by the end of 2012. The navigation system also displays a circular shaped area over a map that shows how far the vehicle can travel with its current level of battery power.
The Ray EV won’t be available to ordinary customers with Kia currently planning to produce just 2,500 of the cars. These will be provided to government departments and public offices as part of the company’s research and development program to gather real-world usage and performance data to aid in the development of future electric vehicles.
In what Kia claims is a worldwide first for an EV manufacturer, the Ray EV’s sharing of dimensions with the Ray CUV allows it to share a production line with conventional combustion engine vehicles. Although the front-wheel drive Ray EV is some 187 kg (412 lb) heavier than its gas-powered cousin, the Ray EV boasts faster acceleration (0 – 100 km/h/62 mph in 15.9 seconds) thanks to 77 percent greater torque (167 Nm). Kia says the vehicle has a top speed of 130 km/h (81 mph).
Kia says the Ray EV can be recharged in six hours from a 220 V household outlet or in just 25 minutes in fast-charge mode. The inlet for the 220 V supply is located under a flap in the front grille, while the fast-charge inlet can be found where the fuel intake is usually located on regular models. The 330 V lithium ion polymer battery pack is located under the rear seat and cabin floor.
The Ray EV has been fitted with a new type of regenerative braking system featuring an “Active Hydraulic Booster” that uses the electric motor to create hydraulic pressure for the brake system. Kia says in addition to harvesting excess braking energy to recharge the vehicle’s battery, it also provides consistent brake pedal force under a wide variety of driving conditions.
Like audio alert systems already available in a number of hybrid vehicles from manufacturers such as Toyota and Nissan, the Ray EV is fitted with a Virtual Engine Sound System (VESS) that emits a mixture of recorded gasoline engine noises when the car is traveling at speeds below 20 km/h (12 mph), or when reversing.
The instrument cluster displays electric motor operation, battery status and the distance before a recharge is required. An EV-specific navigation system features a 7-inch display that provides information such as the location of the nearest recharging stations – of which there are 500 in Korea with plans from the government to increase that number to 3,100 by the end of 2012. The navigation system also displays a circular shaped area over a map that shows how far the vehicle can travel with its current level of battery power.
The Ray EV won’t be available to ordinary customers with Kia currently planning to produce just 2,500 of the cars. These will be provided to government departments and public offices as part of the company’s research and development program to gather real-world usage and performance data to aid in the development of future electric vehicles.
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Tags: auto, kia | Categories: Uncategorized | Comments (0) | PermalinkInexact, this amounts to a corporate epithet, logo
Posted by admin on December 25, 2011 at 10:51 am | Last modified: December 25, 2011 10:51 am
The discovery of two double homicides in less than 24 hours has rocked a Detroit neighborhood. Two women were found dead in the trunk of a car Monday afternoon on the city’s east side, and two men were found dead in a nearby house late Monday night.
Responding to reports of gunshots, police showed up around midnight Tuesday to find two men dead in a home on Houston-Whittier Street on the city’s east side, the Detroit Free Press reports.
According to WDIV-TV, police have yet to make any arrests and are still working on identifying the victims.
The men’s bodies were found about eight blocks away from the 14400 block of Promenade, where two women were found dead in the trunk of a car on Monday afternoon.
The two women, Renesha Landers, 23, and Denesha Hunt, 24, were cousins. They were reported missing by relatives after they were last seen going to a party Saturday night, WDIV-TV reports.
A neighbor reported the vehicle, a Chrysler 300 that matched a description of the vehicle the women were driving, to police after seeing it parked next to a vacant house on the block, the Free Press reports.
Autopsies for the women are scheduled for Tuesday.
The attacker who killed at least four people when he opened fire on a Christmas market in Liège, Belgium, also murdered a cleaning woman before the rampage, police have confirmed.
Police said the corpse of the woman was discovered at a garage that the attacker, Nordine Amrani, 33, used to grow marijuana and keep his weapons.
The 45-year-old woman was shot in the head on Tuesday before Amrani travelled to Liège to carry out his attack.
At least four people died and around 122 were injured after Amrani fired shots and threw grenades in the crowded town square.
GALLERY: Click Here To See The Latest Pictures
Amrani, who had previously been convicted on drugs and gun offences and had spent time in prison, was expected to arrive for police questioning when he launched the attack.
Armed with grenades, a handgun and also a machine gun he instead climbed onto a platform near to the Place Saint-Lambert, from where he fired shots and threw explosives onto a busy shopping street.
The dead included a 15-year-old boy who died “on the spot” and a 17-year-old boy. A 75-year-old woman and a baby later died of their injuries, while the gunman was also found dead, reportedly of self-inflicted gunshot wounds.
Students and residents marked the attacks with a silent vigil for the victims on Wednesday afternoon.
Amrani was known to be a “gun freak”, police said. He was convicted for five years after police found a dozen firearms in his metal workshop, including an AK-47 machine gun. He was also found guilty of drugs offences after growing 2,800 marijuana plants.
Before the attack he transferred money into his wife’s account with the words “I love you my love. Good luck” reported local news sources.
The killings in Belgium were mirrored by a similar attack in Florence, Italy,where a right-wing extremist killed two Senegalese street vendors and wounded three others before shooting himself on Tuesday. About 300 people marched in protest after the attacks by 50-year-old accountant Gianluca Casseri.
Although it is known as a tough, industrial city of 200,000 with a history of gun- and gang-related violence, Liège has been shocked by the attacks.
Belgium’s King Albert and Queen Paola II visited the Place Saint-Lambert on Tuesday and paid their respects to the dead.
Belgian prime minister Elio di Rupo said there were “no words” to describe the tragedy.
“We think first and foremost of the innocent victims, their family and friends. We also think of all the people working at the scene and more generally of the people of Liege.
“The whole country shares the pain of the families affected. We share the shock of the population.”
David Cameron offered his condolences after the attack. A Number 10 Spokesperson said: “The prime minister called Belgian Prime Minister Di Rupo this evening to pass on his sympathy in the wake of the appalling attacks in Liege. He said that his thoughts and those of very many people in Britain were with all those involved.”
In inexact, this amounts to a corporate name, logo (logotype and/or logogram), and supporting devices commonly assembled within a stipulate of guidelines. These guidelines lead how the particularity is applied and strengthen approved identification identyfikacja wizualna palettes, typefaces, page layouts and other such methods of maintaining visual continuity and manufacturer cognizance across all woman manifestations of the brand. These guidelines are generally speaking formulated into a parcel of tools called corporate singularity manuals.
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Posted by admin on December 12, 2011 at 11:44 pm | Last modified: December 12, 2011 11:44 pm
Nothing excites me more during the holidays than finding the perfect gift for a friend or family member and wrapping it up so that the package looks thoughtful and inviting; however, nothing makes me feel more guilty than all the wasted paper, tissue and ribbons that I have to throw away during the holidays. Americans use more than 8,000 tons of wrapping paper each holiday season, which equals approximately 50,000 trees. Between Thanksgiving and New Year’s Day the average American household trash output increases this amount by another 5 million extra tons. So this year I set out to find ways to make festive gifts with a lot less guilt and waste.
1) DIY Gift Wrap:
Homemade gift-wrap is a great way to recycle and is a lot more fun for children. You can use recycled brown craft paper or the inside of brown paper grocery bags and paint them, add glitter and/or use stamps. This creates a festive one of kind recycled wrap — great for grandparents. This is a very affordable way to create green gift-wrap. Here is a great source of bulk 70% recycled craft paper:
According to the Carnegie Mellon Green Practices initiative, “If every American family wrapped just three presents in reused materials, it would save enough paper to cover 45,000 football fields.” Old books and magazines are the perfect material to reuse for gift wrap. You can take old magazines and use the images, like pictures of waves from old surfing magazines, for your ocean-loving friends and family. Additionally, images of cars from old car magazines are great for boys of all ages. Most newsstands and bookstores throw out old magazines after the new issues hit the stand — so, if you talk to your local store you may be able to get some great back issues for free.
2) Reusable Gifts Wraps & Bags:
Cloth reusable wraps or bags are another way to create a beautiful package without creating paper waste. There are many small companies making festive bags and wraps in a huge variety of colors. This is great for family gifts. You can start a tradition in your home where you reuse these bags every holiday season; however, it can become a very expensive option if you were to use cloth for all of your gift giving.
For those of you that are very ambitious and great with a needle or thread, you can sew your own gift bags. Reusing cloth makes gift bags/wraps much more affordable. I am not qualified to give sewing advice or instruction, but the following link has easy to follow how to guide to sewing your own reusable bags.
3) Eco Wrapping Paper:
If you are short on time and not very crafty, the easiest way to have more green gift wrap is buying eco gift wrap that made from recycled paper and/ or sustainable natural fibers. There are many great options, such as the paper from Fish Lips Paper Designs.
There are even seeded papers seeded with wild flower seeds that you can plant after you open your gifts available here.
There are so many ways to give our gifts this holiday season in a more thoughtful and green way. After all, the way we give can have as much impact as what we are giving.
I wish you all a very special (and green) holiday season.
The gift of software may not seem like the coolest thing to give a loved one, but think about it like this: Those invisible 1s and 0s can potentially affect a person’s life and productivity in significant ways whenever he or she’s using a computer. Seems like a potentially great gift opportunity to us! We’ve got you covered with our favorite giftable apps, whether that special someone uses Windows or Mac OS X. Plus, we’ve got some printable cards you can hand out so you’ve still got something physical to give.
When papers objects are inclined as gifts, in uncountable cultures they are traditionally packaged in some manner. Into model, in Western culture, gifts are often wrapped in wrapping archives and accompanied beside a gift note which may note the commemoration, the receiver Prezenty dla denominate, and the giver’s name. In Chinese background, red wrapping connotes luck.
Tags: prezent | Categories: Uncategorized | Comments (0) | PermalinkThe tender Sound of Mexico
Posted by admin on December 8, 2011 at 8:36 pm | Last modified: December 8, 2011 8:36 pm
release of the historic county of Sussex, which has its roots in the old-fashioned field of the South Saxons, who established themselves there in the fifth century AD, after the departure of the Romans. Archaeological remains are bumper, peculiarly in the upland areas. The extent angielski Radom placing on the sail has also meant that there were many invaders, including the Romans and later the Normans. Earlier industries obtain included fishing, iron-making, and the wool trade, all of which be undergoing declined, or been adrift completely.
Tags: language | Categories: Uncategorized | Comments (0) | PermalinkThe proximate Space of Mexico
Posted by admin on December 3, 2011 at 5:10 pm | Last modified: December 3, 2011 5:10 pm
Google opened its new music store to all comers in the US this week, touting its partnerships with music labels and indie musicians, and its broad reach thanks to the Android Market. The new store has millions of songs for sale, but whether it’s a game changer, serious competition for iTunes and Amazon MP3, or the best online music store out there is another question entirely. Let’s take a look at each service based on its features.
Each music store is a little different. This showdown is all about the music stores that these companies offer—not their respective players, applications, or services. We can’t help but mention them in terms of usability and integration with the store and the user experience, but we’re going to try and focus on the features of the stores and steer clear of the bugs or quirks of each player.
Google Music: The New Kid on the Block is Perfect for Android Faithful, Indie Music Lovers, and Free Music Fanatics
Google Music has been around for a while, but Wednesday’s launch of the music store put Google in direct competition with Apple and Amazon (among others.). The new music store has been added to the Android Market so you can access it on the web or any Android device. The web player is still as sharp as ever, and combined with Google’s Magnifier music blog gives you multiple points of entry to download great free music you’ve never heard, and shop for albums you’ve been waiting for.
Who Google Music Is For
- Bleeding edge music fans and indie music lovers. People with playlists populated with bands they’ll be happy to tell you you’ve never heard of. Google’s velvet-gloved approach to independent artists was on display at Wednesday’s event.
- Android faithful. Android fans will get the most benefit from the music store. After all, it will be pre-installed on every Android device, and songs you buy or add for free from the music store won’t count against your 20,000 song limit.
- Music fans on a budget. Budget-conscious music fans who already have large libraries will appreciate the ability to upload a ton of songs absolutely free, and the plethora of free music already available to add to your Google Music account.
- Google+ users. Fans of Google’s burgeoning social network will adore the ability to share your purchases with your circles. The Google+ integration means that after buying an album, it’ll make sense to share it so your friends can listen and let you know what they think. Even better, create a “Music Lovers” circle on Google+ where you all trade music suggestions and post your purchases.
Pros
Google Music’s biggest perk is that aside from the songs themselves, it’s free. Accounts and storage for 20,000 songs is free, as is additional storage for any free or purchased songs. The music store boasts a 13 million track catalog of songs from three of the four major labels and thousands of indie artists. Tracks come in DRM-free 320kbps mp3 files, and you don’t need to download another app to get access to your purchases. They’re automatically added to your Google Music account (you can download them there), and are available instantly in the web player and on your Android device.
Indie music lovers and independent musicians will love Google’s new music store. After all, $25 for the Artist’s Hub gives you access to 200 million Android devices, not to mention the Google Music users who use the web player on their desktops or iOS devices, and 45 million Google+ users. No other music store has embraced indie music the way Google has, and that’s huge, not just for indie musicians and fans, but DJs, basement bands, and anyone else who wants to get their name and their music out there. Hear that? It’s the last nail being driven into MySpace’s coffin.
Google’s music store is pretty compelling, especially for Android users (although the web player on iOS is slick too), prefer webapps to desktop players, or own a lot of music already they’d like to take with them.
Cons
One drawback to Google Music is that it’s only available in the United States. It’s unfortunate, but it’s a reality of dealing with the music industry in different parts of the world. The agreement that works for labels in the US may not be the agreement that works for the labels in the UK, or in Australia. These things take time, and Google decided to play on its home turf first.
Speaking of labels, the gaping hole in the music store where Warner Music should be is unfortunate. One Google rep on-stage at the event casually mentioned that “other labels are welcome if they choose to join,” clearly a statement designed to both point the finger at Warner for missing the bus and assure viewers that Warner should be along shortly. Here’s hoping they are.
The only other minus we could find is pricing. Songs are competitively priced, but in more than a few cases they’re not the best price. This makes sense, since Amazon and Apple have history and a bit more bargaining power, but we live in a time where the difference between a $0.99 track and a $1.29 track can mean a lost sale for the more expensive store.
Amazon MP3: The Pioneer of DRM-Free, Cheap Music Soldiers On Despite the Competition
Long before Google got into music, and before Apple was willing to remove DRM from purchased songs, Amazon MP3 came pre-installed on Android phones and allowed you to download DRM-free mp3s and copy them to any of your devices. Today, Amazon boasts a huge catalog, offers free cloud storage for your purchased music, and continuously beats the competition on price.
Who Amazon MP3 Is For
- Music fans who have to have the absolute lowest price. Amazon MP3′s pricing is often the lowest across all of the major music stores, especially for popular artists and new releases. Amazon often doesn’t bother highlighting popular artists the way other stores do: they assume you’ll search for what you want. Instead, the front page of the MP3 store is populated with “Albums under $5,” and “$0.69 songs.” They want to be the value player, and it works—as long as you’re not interested in cloud storage.
- Bargain hunters who live for daily deals and special events. A day without a discounted album on Amazon MP3 or a refreshed list of completely free music is a day without sunshine. Amazon may not go out of the way to highlight its free music the way Google does, but that doesn’t mean it’s not there.
- Amazon shopaholics and Prime members. Frequent customers are occasionally treated to $5 credits to Amazon MP3 purchases after a purchase, and those credits are pretty hard to pass up, especially considering how far your money goes at Amazon MP3.
- Kindle Fire Owners. The Kindle Fire, even though it’s new, is probably one of the few devices that provides a real integrated experience for Amazon’s various services. Sure, there’s an Amazon MP3 app for Android, and it’s an okay player, but the user experience leaves a little to be desired, and the store isn’t well integrated.
Pros
Amazon MP3 is overall the most affordable music store available, a feat considering its 16 million track catalog. The store has music from all four major labels, and it is a great place to look if you’re searching for specific songs, special releases, and EPs that the other stores don’t have. Purchases come as 256kbps variable bitrate MP3s without DRM, and can be automatically added to your Amazon Cloud Drive. When you do add them, the space they take doesn’t count against your overall storage limit.
It doesn’t hurt that Amazon MP3 is already on many Android devices. Before the Google music store existed, it was the only good way you could browse, buy, and download music directly to your Android phone. It’s still a great option, and Amazon hasn’t sworn allegiance to any one mobile OS. Amazon’s play as the music store with one of the biggest catalogs of popular music at super-low prices makes it an attractive option, or at least a place to stop and check prices before you buy from another store.
Cons
One of the biggest problems with the Amazon music store is the Amazon Downloader. It works in most situations, but when it doesn’t, it sucks badly, and the fact that you have to download an app to download the songs that you just purchased at Amazon is a nuisance at best and a troubleshooting nightmare at worst. Of course, you can always just have your music dropped into your Amazon Cloud Drive, but let’s be honest, given the pricing and storage limits, is anyone actually paying for Cloud Drive?
We also really have to ding Amazon a bit for the quality of its player. The web player is no real joy to use, and the fact that the app is only available for Android leaves iOS users somewhat out of the action, which sucks. It means that iPhone and iPad owners who want to buy from the Amazon MP3 store have to buy, download, and then add their music to iTunes if they want it on multiple devices: no Cloud Player for iOS users unless they use the special iPad-optimized webapp.
Finally, if you’re an indie music fan or love independent artists and labels, your mileage may vary with Amazon MP3. There are indie artists and labels at Amazon, but the focus is clearly on more popular musicians and major labels. Also, Amazon’s music store is only available in the US and the UK. If you like to share music with friends, Amazon’s social features are limited to Twitter and Facebook buttons to tell your friends about your purchase, and if you like to preview before you buy, you can listen to a 30 second clip of the song – a far cry from iTunes’ and Google’s 90-second previews.
iTunes: The Biggest Digital Music Store Still Thrives on Its Ecosystem
Regardless of what you think about Apple or the iTunes software, there’s no debating that the iTunes Music Store transformed the way we enjoy music. It heralded the end of widespread piracy and proved to the music labels that you don’t have to treat music fans like criminals to convince them to buy music. With the launch of iTunes Match and iCloud, the iTunes Music Store just got much more attractive.
Who iTunes Is For
- New release hunters. iTunes is the juggernaut in the digital music space for a reason. It has agreements with all of the major labels, and new launches and special editions often appear on the iTunes first.
- Cloud haters and organization freaks. iCloud and iTunes Match exist, sure, but by default all of your music purchases are downloaded to your computer via iTunes, and are stored locally. If you like taking your music with you or don’t care for web players or cloud services, iTunes still delivers that “click to buy and to download” experience that makes you feel like you’re getting something tangible. Plus, your music comes from a single source, with tags, album art, and metadata intact, can be organized in a single app (even if it is iTunes) and if it’s lost, you can—with strings attached—redownload it.
- iOS device owners. Let’s face it, the reason there’s no Amazon MP3 app for iOS is because Apple has no desire to allow a competing music store on its devices. If you want your Amazon MP3 purchases on your iOS device, you’ll have to downlaod them and add them to iTunes. The same applies for Google Music – the store is built-in to the Android Market, so don’t expect that on your iPhone anytime soon. The iTunes Music Store, on the other hand, is right there, full of music that you can buy and download immediately. Once you do, it’s synced to iCloud.
- People who need fast, easy, and cheap. iTunes’ dominance isn’t only due to its closed ecosystem with the iPhone and iPod. It’s also the fact that iTunes is dead simple to use and shop from. The iTunes’ music store plus jukebox experience is still very popular with a lot of people. Attitudes may be changing however, and fewer people want to install iTunes just to shop for music, but right now it offers a seamless union between the music you already own and new music you can purchase.
Pros
iTunes is clearly the best option for people invested in the Apple ecosystem. The music selection is massive—larger than any of the other stores—with over 20 million tracks in the catalog from all four major labels and scores of independents. Even if you don’t have an iOS device, it’s a great music store with a broad depth of music at solid prices. The days where everything was $0.99 are over, but the vast majority of songs are still around that mark, with older songs and releases by independent musicians often less than that. iTunes also has a huge selection of comedy, spoken-word, latin music, and other genres with narrower appeal, along with “sub-stores” created by specific companies (like Starbucks) and playlists by celebrities to feature music they enjoy.
Tracks can be previewed for 90 seconds, and purchased songs come as 256kbps DRM-free AACs. From there it’s automatically added to your music collection, albums get their own playlists, and the song is added to your “Recently added” or “Downloaded” playlists. Combined with an iOS device or iCloud, iTunes is still a great music store and holistic music experience. Without either of those however, it’s a huge music store where you’ll have no trouble finding something you like at a decent price.
Cons
For as big as its catalog is and as deep its library is, iTunes hasn’t really changed or improved in any meaningful way in years. You don’t necessarily want to fix what isn’t broken, and we get that iCloud and iTunes Match will give iOS users a new way to back up and access their music on other devices (even though iTunes Match doesn’t stream and has no web player) but to get the most from these services you have to be fully wrapped up in Apple’s ecosystem. Even freeing your music from iTunes if you prefer to listen to it on your non iOS device or in another music player can be an irritating process. Possible, but an unnecessary pain.
For as great as its shopping experience is, iTunes loses points for its lackluster social experience, which consists entirely of Ping—Apple’s half-assed social network that no one really uses (unless they’re using it to post to Twitter.) Plus, even though Apple bought and killed LaLa back in 2009, we have yet to see a meaningful web component to iTunes. There’s iTunes Preview, but frankly, it’s awful. Where other music stores are integrating social networks to help you discover music and giving you more ways to enjoy the music you buy anywhere, iTunes is spinning its wheels. That’s fine for now, but it won’t be forever.
The Verdict: Which Music Store Deserves Your Money?
If you’ve followed along with us so far or you’ve skipped to the end to see which service you should buy your music from, the answer is—as always—that it depends on what kind of music lover you are:
- Google Music is best for people who would say “I need access to the music I already own everywhere I go,” or “I’m a huge indie music fan,” and people who are onboard and comfortably seated on the Android train.
- Amazon MP3 is best for bargain hunters who don’t want to buy elsewhere before checking for a better deal and want the best possible deal. It’s also best for people who still aren’t sure about this whole Google Music thing and have Android devices. Plus, if you don’t trust Google and can’t stand Apple, well, here you are.
- iTunes is best for people wrapped up in Apple’s cozy blanket of walled-off products and services. Getting in from the outside with another service is a herculean feat, one that’s really not worth it if you have all the music you want to buy in iTunes at good prices and you own an iOS device. You may want to check Amazon for better prices now and again, and then import the songs to iTunes.
Everyone Else: Zune Marketplace, eMusic, and the Others
Apple, Amazon, and Google aren’t the only players. There are still a lot of smaller, independent music stores out there, even if most of them are struggling to get by. Bandcamp is a great indie music store that lets artists sell directly to their fans, and EMusic is still kicking around with a 13 million song catalog and DRM-free mp3s. Subscription-only services like the Zune Music Store, Napster, and even Rhapsody often sell individual tracks and walk the line between a la carte and subscription-only.
For music lovers who don’t mind renting their music instead of owning it, it may make financial sense to sign up for all-you-can-eat plans where you get tons of music for a monthly fee. With the Zune store, each month you used to get to keep some of the songs you’ve rented, so it’s a little of both worlds. They may not have the selection or mobile and cloud features that the big guys do, but these services are worth mentioning because they cater to specific markets or often go out of their way to be platform agnostic.
A Nod to Streaming Music Services
Speaking of renting music, no look at online music stores would be complete without mentioning the explosion of streaming and cloud-based music services, some of which work with music you own, and others that exist purely in the cloud. Contrary to traditional music stores, with these services you’re paying for regular access to a service’s music library. You don’t own anything, and you don’t even rent the songs themselves—you just pay to listen to them whenever you like.
Streaming music services are trendy, and many of them even allow you to cache songs offline to simulate the feeling of owning your music. Most of them are platform agnostic, and offer apps, webapps, and tools for every OS. Even so, most people use them in addition to—not a replacement for—a music store that lets them buy or listen to their own music. That may change as they grow in popularity.
Which music store excites you the most? Where will you be spending your money? Perhaps you prefer a different store we haven’t mentioned, or you’re giving up on buying music entirely and going the streaming route instead. Whatever you think, let us know in the comments below.
You can reach Alan Henry, the author of this post, at alan@lifehacker.com, or better yet, follow him on Twitter or Google+.
Last May at Google I/O, we launched Music Beta by Google with a clear ambition: to help people access their music collections easily from any device. Music Beta enabled you to upload your personal music collection (up to 20,000 songs) for free to the cloud so you could stream it anywhere, any time. Today, the beta service evolves into a broader platform: Google Music. Google Music is about discovering, purchasing, sharing and enjoying digital music in new, innovative and personalized ways.
Google Music helps you spend more time listening to your collection and less time managing it. We automatically sync your entire music library—both purchases and uploads—across all your devices so you don’t have to worry about cables, file transfers or running out of storage space. We’ll keep your playlists intact, too, so your “Chill” playlist is always your “Chill” playlist, whether you’re on your laptop, tablet or phone. You can even select the specific artists, albums and playlists you want to listen to when you’re offline.
Purchase and share
We also want to make it easy and seamless for you to grow your music collection. Today, we added a new music store in Android Market, fully integrated with Google Music.
The store offers more than 13 million tracks from artists on Universal Music Group, Sony Music Entertainment, EMI, and the global independent rights agency Merlin as well as over 1,000 prominent independent labels including Merge Records, Warp Records, Matador Records, XL Recordings and Naxos. We’ve also partnered with the world’s largest digital distributors of independent music including IODA, INgrooves, The Orchard and Believe Digital.
You can purchase individual songs or entire albums right from your computer or your Android device and they’ll be added instantly to your Google Music library, and accessible anywhere.
Good music makes you want to turn up the volume, but great music makes you want to roll down the windows and blast it for everyone. We captured this sentiment by giving you the ability to share a free full play of a purchased song with your friends on Google+.
Exclusively on Google Music
We’re celebrating our launch with a variety of music that you won’t find anywhere else, much of it free. There’s something for everyone, with a variety of free tracks to choose from:
- The Rolling Stones are offering an exclusive, never-before-released live concert album, Brussels Affair (Live, 1973), including a free single, “Dancing with Mr. D.” This is the first of six in an unreleased concert series that will be made available exclusively through Google Music over the coming months.
- Coldplay fans will find some original music that’s not available anywhere else: a free, live recording of “Every Teardrop Is A Waterfall”, a five-track live EP from their recent concert in Madrid and a remix of “Paradise” by Tiësto.
- Busta Rhymes’s first single from his upcoming album, Why Stop Now (feat. Chris Brown), is available for free.
- Shakira’s live EP from her recent concert in Paris and her new studio single, “Je L’Aime à Mourir” are both being offered up free.
- Pearl Jam are releasing a live album from their 9/11/11 concert in Toronto, free to Google Music users.
- Dave Matthews Band are offering up free albums from two live concerts, including new material from Live On Lakeside.
- Tiësto is offering up a new mix, “What Can We Do” (feat. Anastacia), exclusively to Google Music users.
Artist hub
Whether you’re on a label or the do-it-yourself variety, artists are at the heart of Google Music. With the Google Music artist hub, any artist who has all the necessary rights can distribute his or her own music on our platform, and use the artist hub interface to build an artist page, upload original tracks, set prices and sell content directly to fans—essentially becoming the manager of their own far-reaching music store. This goes for new artists as well as established independent artists, like Tiesto, who debuts a new single on Google Music today.
Starting today, Google Music is open in the U.S. at market.android.com, and over the next few days, we will roll out the music store to Android Market on devices running Android 2.2 and above. You can also pick up the new music app from Android Market and start listening to your music on your phone or tablet today. And don’t forget to turn your speakers up to eleven.
Geologists and other Earth scientists agree in general that the present him Space of Mexico basin originated in New Triassic beat as the result of rifting within Pangea. The rifting was associated with zones of weakness within Pangea, including sutures where the Laurentia, South American, and African plates collided to produce it.
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